We recently met up with former student Will Bokan aka Ninja Bokan for a quick chat about his recent success, signing, release, experience at Off Centre and all around Ninja lifestyle!
OC1. So, what's it like being a ninja!?
NB1. Being a full time Ninja is the best thing I could ever imagine in my life. Ever since I was as young as I could remember I just wanted to be the Green Power Ranger when I grew up. Backflip kicks and other insane martial arts stunts were life necessities to me in late highschool and on into university.
OC2. Does your active lifestyle have an influence on your style of music or vice versa?
NB2. For me it is everything. Electronic music alone inspires all of my movement. I started gaining interest in learning how to make my own music for my martial arts. The interesting thing about this was once I started learning and becoming involved in production, it very quickly became all about the music. I’m way too obsessed with learning more about production and even just having great new music to listen to while I do Ninja activities or any activities in my life really.
OC3. What kind of music do you listen to (when you're not fighting Luigi!)? Mario's Street Challenge Are there any specific music influences that you can site?
NB3. Haha, this is a tricky one. I love all genres of music (except country). If it is good music I do like it. Typically I listen to the music suitable for the mood.When I am doing office work or monotonous tasks on the computer I like to listen to chill out music like Pretty Lights and Griz. I’m really falling in love with Shaun Frank’s new Deep House also. Deadmau5 is the best for so many things. Every now and then I love listening to Headhunterz and hardstyle. But once it is something that requires movement, high energy, or I’m feeling upbeat, I’m all over the Electro House. Dylan Francis, Nom De Strip, stuff like that.Actually right now at the very moment Nom De Strip makes me have a mental meltdown, definitely my favourite artist for today.
OC4. Congrats on your recently released a track "The Crew from 602" on BugEyed Records. Tell us a little about how all that went down. How did you find them or them find you? Any future plans with that label?
NB4. Well, The Crew from 602 was actually kind of an accident experiment track. Design wise it was inspired a little from hardstyle and at the time I was listening to some of Headhunterz new Big Room/hardstyle experimental tracks. So I figured “meh” I’ll fool around with that in mind, and then a track popped out. The overall inspiration for the track came from my stunt crew that hung out at after practices at this terrible junky house numbered 602. Everyone had the best time. I’m glad the house sucked, because it made it an amazing place to hang out with the right people for the right reasons.
I sent my demo over to BugEyed, they said they’d love to sign it after listening. It was that simple really. I’d love to provide them with more tracks.
I have some beauties in the hopper right now that I am super excited about. My current track is coming along a little slower than I'd like, but the quality is just epic for my expectations. I'v very happy with the results so far, I cannot wait to finish this gem, and I can't wait to send your way to have a listen when it comes out.
Maybe this track could also possibly end up on another label or maybe it stays with BugEyed? I can’t predict these things. I like to be a leaf in the wind; whatever works out best for everyone makes me really happy.
OC5. Is there anything in particular that sticks out in your experiences at Off Centre that has helped with your music (or just in general)?
NB5. Well, everything haha. I’m sure it is different for everyone, but for me specifically Off Centre was the turn key enabler that opened the opportunity for me to start and understand how to make electronic music. Before I started at off centre I knew I wanted to start making music but I had no idea how. Taking a look at ableton on my own wasn’t all that intuitive.
I took the offcentre course, everything started making sense and I learned how to make a track from beginning to end with confidence. I learned all the necessary tools and more to get a producer going on their own. Not only that, the environment and the positivity from the instructors was so inspiring and unreal. I really felt like they believed in me and enjoyed teaching me because they wanted to.
A whole new world opened for me. The way I heard songs and the audio pallet that opened up for me was insane. Probably one of the coolest milestones in my life; truly discovering what music really was.
Thank you so much Off Centre.
OC6. In a short time your beats have really developed and evolved nicely into some high quality production. Is there any advice you could give to producers and beat makers that are in the early stages?
NB6. Oh man so much advice. I could write a massive report at this point, and still have limited knowledge as I am just “starting” my journey. The most important to me is to keep learning new things. I know it sounds really obvious but really focus on growth and new production tactics that lead to a “cleaner” track. Every time I finish a track I am already disappointed with it due to new things I have learned to make the next track better. It’s okay to have high standards and put pressure on yourself as long as you are having fun.
The 4 actual production points I found the most important right away after I finished Off Centre are the following:
1) Sidechain Compression.
I now use Nicky Romero’s Kickstart. Highly recommend. Sidechain Compression is the most important part to getting that rock solid clean kick and overall mix out there. Make sure you never miss getting this right.
Layer your snares, layer your synths, layer everything that needs to be layered. You get way more control over your sounds. You pick the parts you like form them, remove the parts you don’t and then glue them together. Really separate your bass and your mids and highs.
3) Pick a professional track to compare yours to.
Listen back and forth. See where yours is missing pieces and sounds that the other track has locked down. Are your samples just too weak? Is your mixing levels off? It could be many things, a reference track similar to yours is great.
4) Take breaks.
For me, I found once I started going too long that my ears would start becoming too used to the track and unable to be effective in focusing on making the right changes. If they are getting tired, just take a break for half an hour and then come back. You’ll be surprised at how “fresh” the track and canvas sounds to work with again.
To find out more about will and his evolving body of work, checkout: