OCDJ - Your Fiddle-beatz project is really a great example of electronics and acoustics mixed. How long did it take for you to write and record?
KF - The majority of the melodies were written when I moved to Toronto in the fall of 2015. Over the next couple of years, I used these melodies as a “playground” to explore arranging and beat making in Ableton. The pieces evolved over time, and by 2017, I decided to re-record the acoustic instruments and fully develop the arrangements to form a cohesive album. Overall, it was a slow process, but fulfilling to be able to create freely without a deadline or business agenda. To me, each piece was an emotional outlet, reflecting what was happening in my life at that time. To be able to write this way was a real luxury, since creative projects are often overshadowed by the pressures of making a living as a musician.
OCDJ - What challenges (if any) did you face? And what would you say was the hardest part: beginning/middle/end etc?
KF - Honestly, one of the biggest challenges of making this album was the amount of computer work involved. I had to take a lot of days off computer work in order to give my back a break. This can be incredibly frustrating since it really slows down the process. It is challenging for me to prioritize my physical/mental health when I hit a creative streak!
In addition, this was the first solo project I had attempted, so it was a challenge making all of the executive decisions, and knowing when the compositions, arrangements, and mixes sounded “good enough”. There’s no instruction manual to tell you when the songs are done, so you really have to know what you are listening for, and know what you like.
Finally, I know relatively little about recording and electronic music production, so there was a lot of trial and error going on from beginning to end! This resulted in a pretty slow workflow, which made it challenging to stay motivated long enough to actually complete an album.
OCDJ - How long have you been playing and how much would you say your fiddle experience plays in to your production. 50/50? More/less
KF - I have been playing fiddle and piano since the age of 7, so the majority of my musical knowledge and experience comes from years of music lessons and performance opportunities. Musical intuition takes years to develop, so I believe that my past experience as a fiddle player played a large role (more than 50%) in the production on this album. That being said, there is still so much to learn about the technical aspects of recording and producing. I would definitely love to take another course in music production…maybe at Off Centre?! ☺
OCDJ - How does genre play a role in your creativity? Are there any musical specific influences that you would site?
KF - I listened almost exclusively to fiddle music as a child (nerd alert), right up until university. I had hit a bit of a wall musically during high school, so began studying Kinesiology/Nutrition at Western University. Half way through my degree, I was exposed to some pop/electronic artists, including Imogen Heap, Reverb Junkie, Ellie Goulding, Bjork, and Coldplay. The sounds and production on these albums sucked me in, and I had to find out how this music was made! I would say that the exposure to pop/electronic genres during this time definitely reignited my passion for music, and sparked my curiosity in music production.
OCDJ - How did lessons at Off Centre benefit you the most?
KF - After a year of touring near the end of my degree, I had become very inspired musically and was eager to start creating. I didn’t want to go through years of additional schooling, so looked for a brief and affordable course to get started as quickly as possible. Off Centre was a perfect fit, so I moved to Toronto’s East end. The “Full Producer” course was very well structured, and helped me navigate through Ableton. All of the instructors were cool to work with, and their own original music was inspiring (still diggin Erik’s “Circles and Squares” album)! I would highly recommend Off Centre, and wouldn’t mind going back for another course myself!
OCDJ - What's next? Any specific production goals for the next few years?
KF - I plan to take another music production course within the next year, to speed up my workflow and improve my beat making. I will continue plugging away at new compositions/arrangements, and would eventually like to make a 2nd Fiddle-Beatz album. I think I would learn a lot from collaborating with others, so would love to work with a vocalist or producer at some point!
FIND OUT MORE ABOUT KERRY:
FIND OUT MORE ABOUT OFF CENTRE'S PRODUCER PROGRAM